From the 1860s through to the early 20th century the rise of Japonisme and the Art Nouveau movement meant that few could ignore or resist the obsession with all things Japanese. Superbly crafted and often highly decorated Japanese objects lacquer, metalwork, ceramics, enamels and other decorative items excited, stimulated and inspired Western artists and craftsmen to produce th...(展开全部)

From the 1860s through to the early 20th century the rise of Japonisme and the Art Nouveau movement meant that few could ignore or resist the obsession with all things Japanese. Superbly crafted and often highly decorated Japanese objects lacquer, metalwork, ceramics, enamels and other decorative items excited, stimulated and inspired Western artists and craftsmen to produce th...(展开全部)

色川大吉 1925年出生于日本千叶县。1948年毕业于东京大学文学部。日本近代史学家，开创了日本“民众史”“个人史”领域研究。著作有《明治精神史》《近代国家的出发》《一个人的昭和史》《历史的方法》《自由民权》《北村透谷》《欧亚大陆纪行思索》《我的圣地浪游》《立于废墟之上》《卡秋莎的青春》等多部作品，另有《色川大吉著作集》全五卷。。 译者 郭颖，厦门大学外文学院教师。

This volume surveys the highly influential Arts and Crafts design movement--which embraced architecture, furniture, glass, ceramics, metalwork, textiles and books--in Britain, America and Europe. Although the styles adopted by the movement were diverse, its leading architects, artists and craft-designers, including William Morris, Frank Lloyd Wright, Josef Hoffman and Eliel Saa...(展开全部)

In Japonisme and the Birth of Cinema, Daisuke Miyao explores the influence of Japanese art on the development of early cinematic visual style, particularly the actualité films made by the Lumière brothers between 1895 and 1905. Examining nearly 1,500 Lumière films, Miyao contends that more than being documents of everyday life, they provided a medium for experimenting with aest...(展开全部)

In Japonisme and the Birth of Cinema, Daisuke Miyao explores the influence of Japanese art on the development of early cinematic visual style, particularly the actualité films made by the Lumière brothers between 1895 and 1905. Examining nearly 1,500 Lumière films, Miyao contends that more than being documents of everyday life, they provided a medium for experimenting with aest...(展开全部)

The eighteenth-century Englightenment marks the beginning of the modern age, when the scientific method and belief in reason and progress came to hold sway over the Western world. In the twentieth century, however, the Enlightenment has often been judged harshly for its apparently simplistic optimism. Here a master historian goes back to the sources to give us both a more so...(展开全部)

The eighteenth-century Englightenment marks the beginning of the modern age, when the scientific method and belief in reason and progress came to hold sway over the Western world. In the twentieth century, however, the Enlightenment has often been judged harshly for its apparently simplistic optimism. Here a master historian goes back to the sources to give us both a more so...(展开全部)